THE NITTI FAMILY HOW TO
John: "It bothers me that she has to be treated like that, and it bothers me that I don't know how to change that." Lisa : ", it's pretty bad that I can't walk out of the room for two minutes to deal with the other one without you two acting up!"
Lisa: "My four children do not respect me at all." John: "Walk!" "You'll do it!" "You bang my car like that again and I'll bang your head!"
John: know I come home from work the first thing I get to do is scream at the boys. Lisa: "I think it's because he's the youngest, I give in a lot to Jared. Lisa: "Matthew is a drama queen." "Gimme it, gimme!" Matthew: "AHH! Get off me! He stabbed me in the back!"ĭarren: "I had a tack in my hand, and I went to grab him." Lisa: "He will do anything he can to hurt his brothers." John: "Darren, he's the bully of the house." Lisa: "Matthew who is 8, Devin who is 6, and Jared who is 5.
John: "The oldest is Darren, who is 10 years old." Lisa: "Me and John have been together for almost 2 years. All Rights Reserved.Lisa: "Hi, we're the Nitti Family. To stay current on all things Bold Monday and Type Network, subscribe to Type Network News, our occasional newsletter featuring releases, foundry happenings, type and design events, and more. Webfonts may be tested for thirty days and desktop trials are available upon request. Like all Bold Monday fonts, Nitti Grotesk Condensed can be licensed 24/7-for print, web, mobile apps, and ePubs. The Nitti family has already proven itself as a flexible, versatile type system, and with every extension, Van Rosmalen never ceases to impress and continues to showcase why this typeface can go even further. The extremes round out the rest of the design space in Hairline, Thin, Extra Light, Extra Black, and Ultra, all meant for large, display settings. There are seven core weights from Light to Black with matching Italics that are ideal for blocks of texts and can be used as small as six points. Nitti Grotesk Condensed comes with nineteen styles in total fourteen of those are considered the ‘core’ styles and five the ‘extremes’. When selecting the stylistic sets, they are swapped, giving a feel of an upright Italic to the Roman and a slanted Roman to the Italic. The Roman and Italic are reversed in the Roman, the defaults are two-storey letterforms, while in the Italic, the defaults are the single-storey varieties. The two stylistic sets for the alternate “a” and “g” can change the typeface’s personality. Its personality, however, allows for an easy match with a wealth of other typefaces. Since the designs share a common root, safe pairing choices are the siblings Nitti and Nitti Grotesk, but the Condensed family has what it takes to be used on its own. The space saving quality is also perfect for environments like editorial and corporate design, where Nitti has already been in place as a modern classic. Nitti Grotesk Condensed is the new family member, with boxy forms and a restrained feel, for use in tight spaces from text to big headlines. With Nitti Mostro and Nitti Typewriter, van Rosmalen added playfulness to this impactful mix. From the monospaced Nitti to the proportional Nitti Grotesk, Pieter van Rosmalen has given us handy tools for contemporary, practical designs. In the past decade we’ve seen Nitti grow into a powerful type system. JanuNitti grows by getting narrower in a new condensed widthīold Monday condenses the letterforms to extend usability.
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